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Next morning they caught their dogs and harnessed them to the travois and took their loads on their backs and set out. It was still winter, and they travelled slowly. Besides, they were weak from hunger and could go only a short distance in a day. The fourth night came, and they sat in their lodge, tired and hungry. No one spoke, for people who are hungry do not care to talk. Suddenly, outside, the dogs began to bark, and soon the door was pushed aside and a young man entered. "You have heard me," retorts he, coldly, angered to the last degree by the extreme horror and disgust she has evinced at his proposal. He deliberately replaces the precious paper in his pocket, and turns as if to go. "No, it didn't: it made it all wrong. But for that lie we should not be in the predicament in which we now find ourselves. You will understand me better when I tell you that the other day a young man turned up who declares himself to be my uncle George's son, and heir to his land and title. That was a blow. And, as this wretched will is not forthcoming, I fear he will inherit everything. We are disputing it, of course, and are looking high and low for the missing will that should have been sought for at the first. But it's very shaky the whole affair.".

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There is a faint pause,—so faint that Lady Rodney is unable to edge in the saving clause she would fain have uttered. Lady Lilias, recovering with wonderful spirit from so severe a blow, comes once more boldly to the front. She taps her white taper fingers lightly on the table near her, and says, apologetically,—the apology being meant for herself,— She is clad in a snowy gown of simple cotton, that sits loosely to her lissom figure yet fails to disguise the beauty of it. A white kerchief lies softly on her neck. She has pulled up her sleeves, so that her arms are bare,—her round, soft, naked arms that in themselves are a perfect picture. She is standing with her head well thrown back, and her hands—full of corn—lifted high in the air, as she cries aloud, "Cooee! Cooee!" in a clear musical voice. Perhaps Longfellow has more cleverly—and certainly more tenderly—than any other poet described the earlier approaches of the god of Love, when he says,— It revives him somewhat. And presently the intenser pallor dies away, and speech returns to him..